5x10 - What Is and Never Was

[Prue Brianna Johnna Halliwell]

DESTINED

'WHAT IS AND NEVER WAS'

TEASER

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - ENTRANCE - DAY - (VISION DREAM)

Wyatt walks towards the door and opens in. BEAT. Jessica is there. She looks at Wyatt and smiles.

WYATT

Can I help you?

JESSICA

I was looking for someone.

WYATT

Who?

JESSICA

It doesn’t matter. I think I got the wrong address.

Jessica turns around and leaves while Wyatt stares at her confused. Prue approaches him.

The image turns into a blur.

FLASHES TO:

INT. MAGIC SCHOOL - MICHAELA’S BEDROOM - NIGHT

Michaela wakes up startled. She breath fast.

MICHAELA

What the hell was that?!

Michaela tries to calm down. She lies down.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - NIGHT

The room is lit only by the light that comes from the fire flames on the fireplace and the TV.

Tamora is sitting on the couch having popcorns.

SOUND - FRONT DOOR OPENING.

OFF TO THE ENTRANCE - Pandora comes in and looks at Tamora who looks back at Pandora.

TAMORA

Hey!

PANDORA

I thought you were going to stay at Sebastian’s.

TAMORA

He had a situation.

PANDORA

Mum and dad?

TAMORA

They’re staying in New Orleans. Aunt Piper called a meeting.

PANDORA

So, they know what’s going on? I mean dad, Uncle Leo and Uncle Coop?

Tamora nods. Pandora goes to sit beside Tamora.

PANDORA (CONT'D)

What are you watching?

TAMORA

In Time.

Pandora grimaces.

PANDORA

That movie is so from last century.

TAMORA

Yeah, and it reminds me what we’re going through.

PANDORA

That we are running against time?

Tamora nods.

TAMORA

I feel like we’re standing at a crossroad. Nothing seems real now.

PANDORA

Yeah. I feel the same. Now that I know that Ethan knows who I am and has no memory of it --- God, even I don’t have memories of it.

(looks at Tamora)

At least you and Sebastian engaged in both realities.

TAMORA

At least that.

OFF TO THE ENTRANCE - Junior comes in.

JUNIOR

We are friends with benefits.

Tamora and Pandora look at Junior.

TAMORA

What?

PANDORA

Who?

JUNIOR

I and Melissa.

Tamora and Pandora exchange glances. They are surprised.

PANDORA

So, she’s the mystery woman?

Junior nods.

TAMORA

Why coming clean now?

JUNIOR

(sighs)

I wanted to know how it feels.

He goes to sit beside them.

JUNIOR (CONT'D)

I don’t remember how it felt coming clean about our relationship.

Tamora and Pandora look at him.

TAMORA

Join the club.

The three of them stare at the TV.

JUNIOR

What are you guys watching?

TAMORA / PANDORA

In Time.

Pandora and Junior lean back on the couch. Tamora passes them the popcorns and the three of them watch the TV.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Matt Bomer as Damon

Marisol Nichols as Bianca

Jensen Ackles as Eric

Katie Cassidy as Melissa

Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Alexandra Daddario as Jessica Lare

Eric Winter as Nate

Robbie Kay as Alex

Jennifer Morrison as Ella

Peter Facinelli as Sebastian

Stephen Amell as Johnathan

Dove Cameron as Michaela

Nikolaj Coster Waldau as Omega

Ming-Na Wen as Sigma

Erica Durance as Alyssa

Kaya Scodelario as Loreto / Angel of Death

Jason Beghe as Kegral

Jesse Lee Soffer as Igor

Tracy Spiridakos as Julia

Robert Belushi as Todd

Peter DeFaria as Dr. Manuel Moreti

Parker Mack as Asher

Aimee Laurence as Casey

Pamela Reed as Crone

Unknown actor as Cupid's Voice

Unknown actresses as attendant and customers

Unknown actors and actresses as Patrons

Unknown baby as Andrew

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

FOOTAGE all over the town at the sound of ‘Dancing With A Stranger' by Sam Smith and Normani.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STILL.

MUSIC KEEPS PLAYING.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - DAY

Wyatt is sitting on the bed. He’s on the phone.

WYATT

Yes, thank you so much.

Wyatt hangs off the phone.

OFF TO JESSICA - She comes from the bathroom.

JESSICA

Who were you talking to?

Wyatt looks at her and stands.

WYATT

I booked us an appointment.

Jessica freezes.

JESSICA

A what?

WYATT

Yes, you told me the other day that you hadn’t booked an appointment with the obstetrician.

JESSICA

I --- I was going to.

WYATT

Well, I just did. I want you to take care of that baby.

JESSICA

Our baby.

WYATT

Our baby. I’ll be waiting for you after lunch at San Francisco Memorial Hospital.

JESSICA

Who’s the doctor?

WYATT

I tried Dr. Dubois ---

JESSICA

(cuts her off)

Prue’s obstetrician? I don’t want her.

Wyatt rolls his eyes.

WYATT

She’s not in the country. We’ll be seen Dr. Moreti.

Wyatt walks towards her and kisses her forehead.

WYATT (CONT'D)

I'll text you the details. Don’t be late.

Wyatt walks out of the bedroom. Jessica grimaces.

JESSICA

Crap!

ON JESSICA - She is serious.

CUT TO:

INT. HALLIWELL MANOR - DINING ROOM - DAY

Ella comes from the kitchen with a take-away cup of coffee. She is wearing a medium-length green dress with a V neck and a pink jacket on.

She almost runs into Wyatt who comes in.

ELLA

Oh, sorry.

WYATT

No, it’s okay.

They stare at each other.

WYATT (CONT'D)

Is there more of that?

Wyatt points to the coffee.

ELLA

Got one for you in the kitchen.

Wyatt smiles.

WYATT

Thank you. You look nice.

Ella smiles.

ELLA

You think so?

Wyatt nods.

ELLA (CONT'D)

Dressed to fight.

WYATT

Fight against who?

ELLA

Not against. For.

Wyatt understands.

WYATT

I believe Chris has made his mind, El.

ELLA

I won’t give up on him without a fight, Wyatt. I won him once, I can do it again.

Wyatt shoots her a ‘good luck’ look. Ella turns around and leaves. Wyatt sighs.

CUT TO:

EXT. P3 - DAY

STOCK.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

ON BIANCA - She is analyzing a resume.

Bianca is inside the bar.

BIANCA

Interesting!

Bianca raises her glance at the person before her. A woman with dark brown hair is sitting by the bar in front of Bianca.

LORETO (20’s) smiles. BEAT. She is not other than the Angel of Death seen before.

BIANCA (CONT'D)

Loreto? Is that an Italian name?

Loreto smiles.

LORETO

My grandmother loved Italy and she chose my name.

BIANCA

It’s different.

Bianca puts the papers on the counter.

BIANCA (CONT'D)

Well, I have green light from the owner to hire someone I like.

LORETO

Does that mean ---

BIANCA

The job is yours.

Loreto smiles.

LORETO

Thank you. When do I start?

BIANCA

When can you start?

LORETO

Now.

Bianca smiles.

BIANCA

Great. I have some affairs to take care of, but I will show you the place. Then Jo will come later and she can answer other questions you may have.

LORETO

Jo?

BIANCA

The owners’ ---

Bianca stops before she finishes the sentence.

BIANCA (CONT'D)

She’s just my niece.

LORETO

Oh, how old is she?

BIANCA

Old enough to work here.

Bianca comes out of the counter.

BIANCA (CONT'D)

Come, I’ll show you around.

Loreto stands and both walk out.

CUT TO:

INT. SHOE STORE - DAY

It’s a small shoe shop in downtown San Francisco. There’re two customers inside. A woman who’s trying some shoes and a man with a suspicious look.

The only attendant comes from the back with a shoebox and heads towards the woman.

ATTENDANT

Here. I’ve got your number.

She hands some red shoes to the woman who tries them on.

CUSTOMER

It’s perfect.

The attendant smiles.

CUSTOMER (CONT'D)

They’ll look great with my black dress.

Turns to the attendant.

CUSTOMER (CONT'D)

I need to be perfect for my friend’s wedding.

ATTENDANT

I’ll pack them.

The attendant walks towards the counter followed by the customer.

THE CAMERA FOCUS on the man. He glances around every now and then.

The customer pays and takes the bags. She walks out of the shop. As soon as the female customer is out, the man turns to the attendant. He is a man in his 30’s and his name is TODD.

ATTENDANT (CONT'D)

Can I help you, sir?

He smirks and takes a gun out of the back of his pants. It was hidden. The attendant raises her hands as she sees the gun.

ATTENDANT (CONT'D)

You can take everything you want. Don’t need to do any harm to me.

Todd smirks.

TODD

I need to harm you to take your powers, witch.

The attendant is shocked.

ATTENDANT

If you know I’m a witch, you should know I can use my powers against you.

TODD

No, you can’t. You won’t be fast enough.

ON THE GUN - Todd fires the gun.

SLOW MOTION - The bullet does its way towards the attendant and hits her in her chest.
The attendant falls on the floor. Her chest is full of blood.

Behind Todd, a demon, KEGRAL (looks like in his 50’s), FADES in.

KEGRAL

Good job.

The demon walks towards the attendant.

ON THE ATTENDANT - The woman still breaths,but her life is close to an end.

Kegral lowers down and gets his face close to hers. He approaches his mouth to hers and what at first looks like a kiss, turns into him sucking something out of her. He pulls back as some sort of yellow small orbs come out of the girl’s mouth into his. He takes it all in.

ON THE ATTENDANT - She expires.

Kegral stands and looks at the man.

KEGRAL (CONT'D)

Well done. Empty the register and let’s go.

Todd smirks and rushes to the register.

ON KEGRAL - He smiles.

CUT TO:

INT. DAMON’S APARTMENT - LIVING ROOM - DAY

Melinda, Chris, and Damon come in.

MELINDA

I’ll be at Magic School all day.

CHRIS

How is it going?

Melinda turns to him.

MELINDA

Slowly.

DAMON

You’ve got to give her time. The girl just found out she has premonitory dreams.

MELINDA

It’s been weeks since we started.

CHRIS

Does she keep seeing the hazel eyes?

Melinda nods.

CHRIS (CONT'D)

I’ve been trying to think, but the only person that comes to my mind with hazel eyes is Prue.

DAMON

Wait! Do you think Prue did this to herself?

CHRIS

No, of course, no. But I can’t think of someone who would do this.

MELINDA

Because that someone is a demon. A demon we must find.

The three of them exchange glances.

CHRIS

Well, I’m on sabbatical leave so, ---

(shrugs)

--- I’m meeting Bianca for lunch and then I’ll join you at Magic School.

MELINDA

Great.

DAMON

How are things with Ella?

CHRIS

They aren’t. She’s been calling a lot lately, but we end up fighting all the time.

MELINDA

Well, normal. For her, you are her husband.

DAMON

Well, at least you have some memories of Bianca.

CHRIS

Which are not from my real life with her either.

Damon grimaces.

DAMON

You know we are going to end up with a big knot in our heads once this situation is over, right?

MELINDA

I don’t want to think about it.

DAMON

We better not. I must go to work. I believe that’s one of the things that hasn’t changed.

Damon kisses Melinda’s lips and then heads out. Chris turns to Melinda.

CHRIS

Hey, thanks once again for letting me crash in here.

MELINDA

Always.

(smiles)

I’m sorry it has to be the couch. We only have one bedroom.

CHRIS

Well, you might start thinking about a bigger place. Once kids come ---

MELINDA

No kids coming anytime soon.

Chris and Melinda smile.

CHRIS

Want me to give you a ride to Magic School?

MELINDA

I’ll ask my Astral self to take me there.

CHRIS

Oh, so, you two are getting along?

MELINDA

Kinda.

Melinda smiles and then ASTRAL MELINDA appears right beside her.

ASTRAL MELINDA

(to Melinda)

Ready to go?

Melinda nods. Both Melindas turn to Chris.

MELINDA / ASTRAL MELINDA

See ya, bro!

Astral Melinda touches Melinda’s shoulder and ORBS out.

CHRIS

(to himself)

I wonder what would my life be if I’d grown up with the two of them!

Chris shrugs and turns to leave.

CUT TO:

INT. JARED’S APARTMENT - LIVING ROOM - DAY

Jessica is pacing the place while Jared is relaxed on the sofa reading an ancient book.

JESSICA

This can’t be happening! What should I do?

Jared says nothing. Jessica stops and looks at him.

JESSICA (CONT'D)

Are you listening to me?

Jared raises his eyes from his book towards his sister.

JARED

You were the one who came up with a fake pregnancy idea instead of getting pregnant for real.

JESSICA

(mad)

It’s not my fault that he doesn’t want to have sex with me.

Jared shoots her a look.

JARED

Losing attributes this young?

JESSICA

I’m serious, Jared.

JARED

Yes, me too.

Jared closes the book and stands. He puts his hands on the pocket of his suit pants. He wears all black.

JARED

I gave you the life you wanted. I changed the whole reality to give you Wyatt as you wanted.

JESSICA

You did that because you needed a Warren heir.

Jared smirks.

JARED

I could use one of the heirs they already had. I confess, one with my own blood would be better, but I could raise another.

Jared approaches her and runs his fingers through his sister’s hair.

JARED (CONT'D)

I gave you a potion to make it easy for you to seduce your man and take him to bed.

JESSICA

Something got up in the middle.

Jessica looks at him.

JESSICA (CONT'D)

Prue.

JARED

(smirks)

She is indeed a fantastic woman. I can’t blame him for loving her.

Jessica shoots him a fulminant look. Jared smirks.

JARED (CONT'D)

But you are not worse than her. You are a beautiful woman, sis. You’ve got those attributes. You just needed to use them.

Jessica looks aside.

JARED (CONT'D)

You’re a witch, Jess. Well, warlock. Put a spell on the doctor. Use magic.

Jessica's glare lightens.

JESSICA

Right. I can do that.

JARED

But you can’t do that forever.

JESSICA

I will have a child.

JARED

You’d better. Now, if you’d excuse me ---

Jared walks towards the sofa and sits. He takes the book and opens it. Jessica shoots him a look.

JESSICA

What are you reading?

JARED

It’s an ancient book of magic. Found it in Egypt.

JESSICA

Right.

Jared shoots her a look.

JARED

Avatars, sis. One of the few that mention their powers and the way they use them.

JESSICA

And you found that in Egypt?

JARED

It was found by an archeologist. It cost me a fortune. I need to know how to use my new powers limitless.

JESSICA

They have an eye on you, you know that, don’t you?

JARED

(smirks)

I’m sure they do.

Jared looks at the book. Jessica stares seriously at him.

CUT TO:

INT. HALLIWELL / COOP MANOR - KITCHEN - DAY

ON CASSANDRA’S CUPID RING - She wears it on her index finger. She takes a cup of coffee.

Cassandra takes the coffee to her lips and sips. She seems serious and worried. She is by the counter.

OFF TO CHARLOTTE - She comes in and stops as she sets eyes on her sister.

CHARLOTTE

Hey!

Cassandra turns around and faces her sister.

CHARLOTTE (CONT'D)

I thought you already left.

CASSANDRA

I overslept.

CHARLOTTE

Me too.

Charlotte walks towards the coffee machine and pours a cup of coffee for herself.

CHARLOTTE (CONT'D)

I fell asleep late.

Cassandra looks at her.

CASSANDRA

Can’t stop thinking.

CHARLOTTE

Me neither.

Cassandra takes a long and deep breath. She puts the cup of coffee on the counter.

CASSANDRA

I still don’t know what to think. It’s hard to believe that we are living fake lives.

Charlotte has a sip of her coffee.

CASSANDRA (CONT'D)

Yesterday I called Prue and she seemed so weird.

CHARLOTTE

How so?

CASSANDRA

Well, I asked her to tell me what my life was in that reality she affirms she comes from and she was cold.

Charlotte looks at Cassandra.

CHARLOTTE

She’s been having some memory loss. That’s why Mel is so engaged in making Michaela help us to find the person who did it.

CASSANDRA

A Firestarter with premonitory dreams.

Charlotte nods.

CASSANDRA (CONT'D)

(sighs)

Well, mum seems to believe this might work.

CHARLOTTE

Any idea when they’ll come back home?

Cassandra nods.

CASSANDRA

No. She texted me earlier saying they were going to keep using dad’s ring to travel in time.

CHARLOTTE

Well, maybe they'll find something.

CASSANDRA

Maybe.

CHARLOTTE

I’ve got to go to work.

CASSANDRA

Yeah, me too.

They both are about to leave the kitchen, but Cassandra stops.

CASSANDRA (CONT'D)

Do I work in Prescott Group for real?

Charlotte turns to her.

CHARLOTTE

It appears so.

CASSANDRA

Well, then let’s work for real.

Both sisters walk out of the kitchen.

CUT TO:

INT. AVATAR’S PLANE - BLACK AND WHITE ROOM - NIGHT

Omega is standing before the circular table with holographic images in the center of it.

Some images appear showing some moments of the Warrens' life, not only from this generation but also from past generations.

OFF TO SIGMA - She approaches from behind.

SIGMA

Anything?

OMEGA

He is good.

Omega turns to Sigma.

OMEGA (CONT'D)

I must admit.

Sigma stands before the table and looks at the images. Omega looks at the images again.

OMEGA (CONT'D)

I’ve gone to several past generations and nothing.

SIGMA

Do you still think that the event he changed could be from a past generation?

OMEGA

I don’t know. It might be.

Omega WAVES his hand and the images disappear. He turns to Sigma.

OMEGA (CONT'D)

We must do something else. We already helped Chris with the ring.

SIGMA

What are you thinking?

OMEGA

Jared is poisoning Prue.

SIGMA

I know. Where has he got that potion from?

OMEGA

I don’t know.

SIGMA

Why don’t we stop him?

OMEGA

We can’t act against him directly, but ---

Omega smirks.

SIGMA

But?

Omega starts pacing the room. Some other Avatars come in and approach the table. Some images appear as they take their places around the table.

OMEGA

Her memories will be replaced.

SIGMA

I’m aware. And if that happens, it will be harder to fix this.

OMEGA

It would. That’s why he must remember?

Omega gives his back on Sigma.

SIGMA

He?

(serious)

Do you mean ---?

Omega turns around and smirks.

OMEGA

The one who can bring her back.

SIGMA

But how?

OMEGA

They might need a little help from Cupid.

ON OMEGA - He smirks.

CUT TO:

EXT. SAN FRANCISCO - DAY

VIEW at the Golden Gate Bridge.

CUT TO:

INT. MAGIC SCHOOL - LIBRARY - DAY

ON MICHAELA’S FACE - She seems to be sleeping tightly.

Melinda and Alex stand staring at her. Michaela is lying peacefully on the couch.

MELINDA

She seems to be having some good dreams.

ALEX

Yeah.

The camera focuses again on Michaela’s face.

FLASHES TO:

INT. HALLIWELL’S - DINING ROOM - NIGHT - (VISION DREAM)

THE ROOM is crowded. People are enjoying their meals. Two of the patrons are Prue and Nate who are having dinner. They seem very in love with each other. They laugh and hold hands. They seem a few years younger.

ON MICHAELA - She is standing in the middle of the room. She glances around. It seems like no one can see her there.

Michaela spots Prue and Nate and walks towards the table. She can hear their conversation.

PRUE

I’m so glad you found me.

ON PRUE AND NATE’S HAND - They hold each other’s hand.

Nate smiles.

NATE

You were the one who found me.

PRUE

We found each other then.

Nate kisses Prue’s hand.

OFF TO THE ENTRANCE - Wyatt and Jessica come in.

Prue and Wyatt’s eyes meet.

Michaela follows Prue’s glance.

Wyatt and Jessica ignore them completely and Prue does the same, but Nate notices that something changed Prue’s mood.

NATE

What’s wrong?

PRUE

My cousin and his bitchy girlfriend.

Nate’s eyebrows raise. He is surprised at her answer.

PRUE (CONT'D)

Sorry. I just don’t like her.

Nate glances around and sees Wyatt and Jessica taking seats at a table. Then Nate turns to Prue.

NATE

I met him the other day when I went to visit your aunt Piper.

PRUE

He was there?

Nate nods.

NATE

You two don’t get along?

PRUE

No. Our relationship was always complicated, but it got worse when he started dating that girl.

NATE

Why?

PRUE

I just don’t like her. I tried to prove to him she was a bad thing, but he didn’t believe me. And then came P3. He lied to me and since then, we simply can’t be in the same place at the same time.

NATE

Does it mean that we have to leave?

Prue smiles.

PRUE

I can ignore them.

Michaela is serious. She turns to Wyatt and Jessica and walks towards them. She listens to her conversation.

JESSICA

You didn’t know they were here?

WYATT

I didn’t, Jess. You know we barely talk.

JESSICA

Thanks, God. She’s a pain in the ass.

WYATT

Please, Jess. She’s my cousin.

JESSICA

You should sell her your part of P3. I don’t like you two as partners.

WYATT

She’s my cousin, Jess.

JESSICA

She hates me.

WYATT

Well, you hate her too, apparently.

Jessica looks aside.

WYATT (CONT'D)

I still don’t know why.

JESSICA

(mad)

Ask her. We’ve been dating for years now; she should be used to it.

WYATT

Let’s change the subject, shall we?

Jessica nods. She puts her smartphone on the table and receives a message from her brother. The phone’s light is on and Michaela peeks on it.

ON THE PHONE’S SCREEN - It can be seen who the text comes from, the time of the day, and the date.

MICHAELA

April 17th, 2031.

At that moment, the whole scene becomes a BLUR. Then other images appear.

FLASHES TO:

INT. P3 - DANCE FLOOR / BAR - NIGHT - (VISION DREAM)

The club is crowded. Michaela stands in the center of the dance floor and glances around. She sees the scene unfolding before her.

Phoebe drives Prue to the center of the dance floor. The music stops. Everybody, that is in there, surrounds Prue. Wyatt approaches her.

PRUE

(to Wyatt)

What´s going on?

WYATT

(nervous)

The first time I did this, I didn´t have all I needed to do it properly. I hope I have it now.

Wyatt gets down on his knee. Prue is open-eyed. Wyatt takes a little box from inside his pocket. Prue is getting nervous. Wyatt opens the box.

CLOSE UP: RING WITH A GREEN STONE.

WYATT (CONT'D)

Prue Halliwell, would you marry me?

Prue smiles. Her eyes get wet.

PRUE

Of course, I would.

Wyatt smiles. He stands. Takes the ring off the box and puts the ring on Prue´s finger.

WYATT

I love you.

PRUE

I love you.

Both kiss each other. Everybody claps.

Michaela glances around. The images don’t become a blur.

MICHAELA

This is the right memory.

Someone beside Michaela takes his phone to take a picture of the moment and Michaela peeks at it.

MICHAELA (CONT'D)

April 17th, 2031.

(serious)

Both situations happened on the same day.

Michaela closes her eyes.

FLASHES TO:

INT. MAGIC SCHOOL - LIBRARY - DAY

ON MICHAELA - She gets into a sitting position.

Melinda and Alex rush to her.

MELINDA

Hey. What did you see?

ALEX

Calm down. Let her breathe.

MELINDA

Right!

Michaela breaths slowly. She glances at them.

MICHAELA

I saw two different situations.

Melinda and Alex exchange glances.

MICHAELA (CONT'D)

Both happened on the same day. April 17th, 2031.

Melinda tries to remember what happened then.

MELINDA

It doesn’t ring a bell.

MICHAELA

It would if you had the right memory of that day.

ALEX

What were those memories about?

MICHAELA

One of them, the fake one, was in a restaurant ---

MELINDA

Maybe Halliwell’s?

MICHAELA

I don’t know. Prue and Nate were having dinner and then, Wyatt and Jessica came in and sit at a different table. Both couples didn’t interact.

MELINDA

Back then, Prue and Wyatt barely spoke. Wait.

(thinks)

2031. Prue and Nate met in 2031. Wyatt and Jessica were already dating back then.

MICHAELA

Well, then the image became a blur and when the blur disappeared, I was in a bar.

ALEX

P3?

MICHAELA

I don’t know the place.

ALEX

We can take you there.

MELINDA

I think the place might be irrelevant.

MICHAELA

It might. The thing is that here the scene was another.

MELINDA

What was it about?

MICHAELA

Wyatt was proposing to Prue.

Melinda and Alex’s eyes widen.

ALEX

Proposing, like ---

MICHAELA

She said yes to his proposal. They were in love.

MELINDA

That’s why the date doesn’t ring a bell to me. I don’t remember it. Did you see the hazel eyes?

MICHAELA

No. I also didn’t see Jessica and Nate.

MELINDA

It can’t be. Nate is part of the family. He is a distant cousin descendant of Janice Halliwell. He moved to San Francisco in 2031 and he looked for us.

MICHAELA

Well, he wasn’t there.

ALEX

Well, maybe he wasn’t invited.

MELINDA

Why wouldn’t he be invited if he is family?!

Alex and Michaela shrug.

MELINDA (CONT'D)

One thing we can be sure about. Wyatt and Prue’s life were the ones that changed the most.

MICHAELA

Why don’t you tell Wyatt what’s going on?

MELINDA

We can’t. Jessica is pregnant. We don’t know what would happen.

(sighs)

The thing is to keep trying to find the event that changed our lives.

MICHAELA

Translation, I should get back to sleep.

Alex stands.

ALEX

I’m gonna get you more tea.

Alex leaves. Melinda and Michaela look at each other seriously.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - DAY

STILL.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - DR. MORETI’S OFFICE - DAY

DR. MANUEL MORETI (in his 50’s) is at his desk checking some files.

SOUND - A knock on the door.

DR. MORETI

Come in.

OFF TO THE DOOR - Jessica comes in wearing a nurse outfit.

JESSICA

Dr. Moreti, I need to talk to you.

Dr. Moreti stands.

DR. MORETI

Sure. I never saw you before. You’re new here.

JESSICA

Started today.

She walks towards him and stands very close to him. He looks at her, confused.

DR. MORETI

What is it?

JESSICA

I need you to do me a favor.

Jessica gets even more closer to him.

JESSICA (CONT'D)

I and my husband have an appointment with you and well, he believes I’m pregnant.

Dr. Moreti is astonished.

JESSICA (CONT'D)

He must keep believing it. Find a way for him to believe that I’m really pregnant.

DR. MORETI

I won’t ---

JESSICA

(cuts him off)

You will.

Jessica holds his face between her hands, forcing him to look at her. She casts a spell on him.

JESSICA (CONT'D)

(chanting)

‘Invoking the source,

Of my powers I come,

To order you, to command you.

When my face you see,

Soon you will believe,

a life lives inside of me.

Prove me pregnant to the World.’

Jessica ends the spell and steps back. She takes a CD from the outfit pocket and puts it on the desk.

JESSICA (CONT'D)

My baby is inside.

She smiles. Dr. Moreti seems like in a trance. Jessica turns to leave.

JESSICA (CONT'D)

Now, I need to take off this stupid outfit.

She walks out of the room. Then, as if nothing happened, Dr. Moreti sits and gets back to his files.

CUT TO:

EXT. SAN FRANCISCO - TOP OF THE GOLDEN GATE BRIDGE - DAY

ON OMEGA’S FACE - He is serious.

Omega stands on the edge staring at the cars that cross the bridge behind.

Some BEAMS appear behind him. He smiles and turns around.

OMEGA

Thank you for coming, ---

(smiles)

--- Alyssa.

BEAT. Before him, Alyssa, the head cupid, stands. She is serious.

ALYSSA

How dare you summon me here?

OMEGA

I can see you haven’t missed me?

ALYSSA

Why would I miss a traitor?

OMEGA

I’m not a traitor. C’mon, Alyssa, it’s been over three hundred years.

ALYSSA

Look, Sa ---

OMEGA

(cuts her off)

Omega. I go by Omega now.

Alyssa grimaces.

ALYSSA

Omega. If you asked to meet me to propose me to join the Avatars again ---

OMEGA

I’m not.

He gives his back on her.

OMEGA (CONT'D)

You made yourself clear when you refused it fifty years ago. For the tenth time.

He turns to her.

OMEGA (CONT'D)

Yeah, I’m still counting. We had a great time there. But it wasn’t meant to be.

ALYSSA

Then?

OMEGA

There’re more urgent issues.

(pauses)

Prue and Wyatt.

Alyssa frowns.

OMEGA (CONT'D)

They are soul mates.

Alyssa doesn’t seem surprised at his affirmation.

OMEGA (CONT'D)

You know that, don’t you?

ALYSSA

Question is, how do you know that? You weren’t supposed to.

OMEGA

But I do. Why aren’t they together?

ALYSSA

Sometimes soul mates don’t find each other.

OMEGA

Not theirs. It’s the Twice Blessed witches we are talking about. There’re no powerful souls than theirs. You remember their past lives, don’t you? There’s a prophecy!

ALYSSA

I don’t know what happened. This time is different for them.

OMEGA

Their souls found each other over and over again through the centuries. You were there when their last past life ---

ALYSSA

I know.

Alyssa seems mad.

ALYSSA (CONT'D)

But Cupid always made it clear that we were not supposed to mess with them. Their souls are so powerful that they don’t need any help to find each other. They just do.

OMEGA

Then why hasn’t it happened?

ALYSSA

I don’t know. Maybe because they came as cousins in this life.

OMEGA

Even if they were brother and sister.

ALYSSA

That would be ---

Both of them grimace.

OMEGA

Disastrous.

ALYSSA

And disgusting.

OMEGA

Let’s hope that it never happens then.

ALYSSA

Why are you so interested in them?

OMEGA

Because they were supposed to be together, but someone interfered.

ALYSSA

How so?

OMEGA

Reality was changed.

Alyssa is astonished.

ALYSSA

How?

They stare at each other seriously.

ALYSSA (CONT'D)

One of you.

OMEGA

It doesn’t matter, Lyss. What matters is that we must make things right.

(pauses)

Prue remembers it, but Wyatt doesn’t.

ALYSSA

How so?

OMEGA

She was traveling in time when it happened, but now she’s losing her memories.

ALYSSA

This ---

Alyssa seems like she doesn’t believe it.

OMEGA

Look, ask Cupid. I’m sure he would give you some answers. He wouldn’t know of a reality-warping, but he is a wise ---

(grimaces)

God?

Alyssa is serious.

OMEGA (CONT'D)

Do it. If you decide to help me, find me here in twenty-four hours.

Omega is about to fade out, but ---

OMEGA (CONT'D)

Send Cupid my regards.

Omega smiles and FADES out.

ON ALYSSA - She is serious.

CUT TO:

EXT. PRESCOTT GROUP - DAY

STILL.

CUT TO:

INT. PRESCOTT MANOR - CASSANDRA’S OFFICE - DAY

Cassandra comes in and closes the door behind her. She glances around and sighs.

CASSANDRA

Is this my office for real?

She walks towards her desk and puts the handbag on the desk. Something calls for her attention.

ON NOTE - It’s on the desk.

Cassandra takes the note and smiles.

CASSANDRA (CONT'D)

Mr. Hale.

SOUND - Phone ringing.

Cassandra picks up the phone.

CASSANDRA (CONT'D)

Cassandra Halliwell.

Her face lightens immediately.

CASSANDRA (CONT'D)

Mr. Hale! Do you have a camera on my office?

Cassandra laughs.

CUT TO:

INT. PRESCOTT MANOR - CEO’S OFFICE - DAY

Johnathan is sitting at his desk on the phone. He smiles.

JOHNATHAN

I asked my assistant to inform me when you arrived.

CASSANDRA (O.S.)

We are on different floors.

JOHNATHAN

I know. I promised her an extra in her payment if she stayed at the entrance waiting for you.

CASSANDRA (O.S.)

You didn’t.

JOHNATHAN

I did. Have you seen my note?

CASSANDRA (O.S.)

I did. A business lunch, huh?

JOHNATHAN

I hope you like Italian, Miss Halliwell. See you then.

Johnathan smiles and hangs off the phone.

OFF TO THE ENTRANCE - Nate comes in smiling.

NATE

I have good news.

JOHNATHAN

Well, you seem to be in a good mood.

NATE

I am.

JOHNATHAN

What good news do you have for me?

NATE

I finally got a meeting with the woman who’s suing us.

JOHNATHAN

Great. When will it happen?

NATE

That’s the boring part. Her lawyer said that she will book a date. That was her condition.

JOHNATHAN

Just that?

Nate shrugs.

JOHNATHAN (CONT'D)

Could you see the proves she said she has?

NATE

(shakes his head)

No. It’s letters and recorded tapes, but her lawyer went back with his word and he refused to show us. I’ve started a process to get to see those proves.

Nate sits across from Johnathan.

JOHNATHAN

Well, at least you’ve got a meeting with her.

NATE

Indeed.

JOHNATHAN

But tell me, what has got you in a good mood?

Nate smiles.

NATE

Prue.

Johnathan smiles.

JOHNATHAN

Things are going well, huh?

NATE

Yes. It seems like whatever was disturbing her, has passed.

JOHNATHAN

I’m happy for you, my friend.

NATE

What about you?

Johnathan disguises and takes some papers from his desk and looks at it.

NATE (CONT'D)

So?

JOHNATHAN

Nothing.

NATE

I’m not stupid. I know you're dating my sister-in-law.

JOHNATHAN

I'm not.

NATE

Tell me more lies.

Johnathan looks at him.

JOHNATHAN

Fine.

(sighs)

We’ve been having business lunches and dinners. Just that.

NATE

(suspicious)

Just that?

Johnathan nods.

NATE (CONT'D)

Be careful, Johnathan. She’s not the kind of woman you’re used to.

JOHNATHAN

We are just friends, okay?

NATE

If you say so. Well, ---

Nate stands.

NATE (CONT'D)

--- I must go. Prue and I have an appointment with the obstetrician. We might confirm Prue’s theory of having twins.

JOHNATHAN

Is your wife a witch?

Nate stares seriously at Johnathan. Then he half-smiles.

NATE

She would make a good one.

Johnathan smiles. Nate turns around and leaves the office. Once Nate is gone, Johnathan leans back on his chair.

JOHNATHAN

I know she’s different, but I’m different too.

Johnathan sighs.

CUT TO:

INT. PRUE’S CONDO - BATHROOM - DAY

Prue is by the toilet. She’s sick and vomits nonstop.

Jo stands in the doorway staring at her.

JO

God. Was it like this when you were pregnant with me?

Prue doesn’t answer. She keeps vomiting.

JO (CONT'D)

We should better call Blanche.

PRUE

No.

Prue takes a towel and cleans her face. Jo goes to help her stand.

PRUE (CONT'D)

I don’t remember being like this before.

JO

You don’t remember? You had a risky pregnancy. I mean, I don't remember you vomiting all the time, but ---

Prue looks at Jo, confused.

PRUE

Yeah. Look, I need to get ready.

JO

Prue, I need to talk to you about those hazel eyes Michaela saw.

PRUE

Who?

JO

Mum, what the hell?!

Jo is mad.

JO (CONT'D)

What’s wrong with you?

PRUE

Nothing is wrong with me. I’m fine.

Both walk out of the bathroom.

CUT TO:

INT. PRUE’S CONDO - BEDROOM - DAY

Prue comes in followed by Jo.

JO

You seem oblivious lately.

PRUE

I know. But I’m fine. Don’t worry. It’s just that lately I feel the pregnancy more than before.

JO

Well, you better be careful.

SOUND - A baby crying.

Jo approaches the crib.

JO (CONT'D)

Why isn’t he at Magic School already?

PRUE

Nate and I will take him before the appointment.

JO

Right. Well, I need to go to P3. Will you be okay?

Prue nods.

JO (CONT'D)

Call me if you need me, okay.

PRUE

Okay, Jo.

Jo shoots her a look. Then she shakes her head and ORBS out. Prue walks towards the crib and looks at baby Andrew.

ON BABY ANDREW - Crying.

PRUE (CONT'D)

You’re hungry, I bet.

Prue takes the baby out of the crib and the baby starts calming down.

PRUE (CONT'D)

You’re hungry, baby. Yes, mummy knows. Let’s feed you, but first, mummy needs some water.

Prue walks towards one of the bedside tables and pours some water into a glass from the bottle of water on the table. She drinks it. Then she puts the glass on the bedside table and looks at Andrew.

PRUE (CONT'D)

Why was that girl here, anyway? Just to annoy me, maybe.

Prue shrugs and walks out of the bedroom carrying baby Andrew and smiling at him.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

Bianca and Loreto come from the storeroom.

BIANCA

So, what do you think?

Loreto smiles.

LORETO

I think I’m gonna like it here.

Bianca smiles.

BIANCA

Well, Jo must be on her way here.

OFF TO THE ENTRANCE - Jo comes down the entrance staircase.

JO

I’m here.

They look as Jo walks towards her.

BIANCA

Jo, this is Loreto, the new bartender.

Jo smiles at Loreto.

JO

Nice to meet you.

(to Bianca)

How are things for the local bands’ week going?

BIANCA

Going. We’ve got some inscriptions. You could actually listen to the songs they sent and select the ones you think fit the more.

Jo doesn’t seem pleased with the idea.

JO

I was actually thinking on helping Mel with you know what.

She glances at Loreto and then at Bianca.

BIANCA

I think enough people are working on that. Someone needs to take care of our source of incoming, right?

Jo shrugs.

JO

Fine.

BIANCA

I’m meeting Chris for lunch.

JO

Have fun.

Bianca shoots Jo a look. Then Bianca turns to Loreto.

BIANCA

I’ll try to be back later today.

LORETO

Okay.

Bianca takes her bag from the counter and walks out of the club. Jo turns to Loreto who smiles.

JO

Now us.

LORETO

Now us.

Loreto smiles at Jo.

CUT TO:

INT. BAY MIRROR’S - MIRROR’S MAGAZINE - DAY

ON MELISSA - She’s at her desk working on her computer.

MELISSA

This mustn’t be right.

Melissa is serious.

MELISSA (CONT'D)

It doesn’t match.

OFF TO WAYTT - He comes from his office and walks towards Melissa’s desk.

WYATT

Hey!

Melissa looks up at him.

MELISSA

Hey. You were right. There’re incongruencies.

WYATT

Are you talking about the accusation we are facing?

Melissa stands.

MELISSA

Bay Mirror might have made a mistake in publishing the woman's side of the story.

Wyatt approaches her and whispers.

WYATT

Are you telling me that someone published the wrong story?

Melissa nods.

MELISSA

Whoever wrote this didn’t check the sources. Where is this reporter?

WYATT

Craig Morrison. I don’t know. That was his last matter on Bay Mirror.

MELISSA

Well, we need to find him.

WYATT

Agree. Talk to Nate. He is in charge of the case.

MELISSA

Why don’t you?

Wyatt shoots her a look.

MELISSA (CONT'D)

Right. It’s Nate.

Melissa laughs.

WYATT

Talk to Bay Mirror’s people. Someone might know something about him.

MELISSA

Phoebe?

WYATT

She’s trusting us with this.

MELISSA

Where is she anyway? I haven’t seen her in days?

WYATT

She’s in New Orleans spending some time with her sisters.

OFF TO THE ENTRANCE - Junior comes in.

WYATT (CONT'D)

Junior?!

Melissa turns around and sees Junior approaching them.

JUNIOR

Hy!

Junior glances from Wyatt to Melissa. Then, out of a sudden, Junior approaches Melissa, and surprisingly, he kisses her in the mouth. Wyatt is open-eyed.

Everybody in the redaction room is staring at them and some of them whistle. Melissa push Junior back.

MELISSA

(astonished)

What the hell?

Junior shrugs.

JUNIOR

Yeah, it doesn’t feel weird at all.

WYATT

One of you cares to elaborate what’s going on here?

Junior and Melissa look at Wyatt.

JUNIOR

We are secretly friends with benefits.

Melissa looks astonished at Junior. Wyatt is amazed.

WYATT

Right.

JUNIOR

Yeah.

Junior seems like nothing has happened while Melissa lowers her gaze ashamed. Wyatt stares from one to the other.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. SAN FRANCISCO - DAY

FAST MOTION FOOTAGE all over the town.

CUT TO:

INT. NATIONAL MUSEUM - EXHIBITION’S ROOM - DAY

Some paintings are hanging on the wall. Tamora stands at each and takes notes on her iPad.

OFF TO SEBASTIAN - He ORBS in.

Tamora jumps as she sees the blue orbs appearing.

TAMORA

Sebs!

She glances around.

SEBASTIAN

I made sure no one was here.

He approaches her and gives her a quick kiss.

SEBASTIAN (CONT'D)

I did some digging and no one seems to know what’s going on.

TAMORA

Do you mean the Elders?

Sebastian nods.

TAMORA (CONT'D)

It’s not a surprise.

SEBASTIAN

I still can’t believe that this whole thing is a lie.

TAMORA

Not the whole thing.

She puts one hand on his chest.

TAMORA (CONT'D)

We are real in any reality.

Sebastian smiles.

SEBASTIAN

Who else knows?

TAMORA

Well, we agreed not to tell Ella, Nate, and Jessica. Charlotte hasn’t been able to tell Eric because he’s been with late schedules and she doesn’t want to put something more on his shoulders. Pan obviously won’t tell Ethan, because here he knows nothing. And Wyatt ---

(sighs)

He cannot know. Everybody else knows, our mums and dads included.

SEBASTIAN

But shouldn’t Nate, Ella, and Jessica know as well?

TAMORA

Would it be good to know that you are not actually married to the person you think you are?

SEBASTIAN

True. What comes know?

TAMORA

Well, Michaela is our only hope. She’s traveling through her visions. Also, our mothers are traveling back in time.

SEBASTIAN

And Prue?

Tamora sighs.

TAMORA

Her memory ---

(pauses)

--- Chris doesn’t know how to explain it, but it might be because she’s spending too much time in this fake reality.

SEBASTIAN

That’s bad.

TAMORA

Yeah. That’s why we have to remind her that she’s Jo’s mother and that she loves Wyatt.

Sebastian sighs heavily.

SEBASTIAN

We can’t hold on to that forever.

TAMORA

True.

OFF TO TAMORA’S ASSISTANT - A young boy, in his earlier twenties comes in.

ASHER

(frenetic)

Mrs. Mitchell, Mrs. Mitchell.

Both Sebastian and Tamora turn to him.

ASHER (CONT'D)

Have you seen the news?

Tamora and Sebastian exchange glances.

TAMORA

This is Asher, my new assistant.

(to Asher)

What is it?

ASHER

A crazy man is killing people downtown.

TAMORA

What?

Asher nods.

ASHER

Several shops have been robbed and the workers were killed.

Tamora and Sebastian exchange worried glances.

CUT TO:

INT. BAY MIRROR - COMMON KITCHEN ROOM - DAY

Melissa comes in followed by Junior. She turns to him. She’s mad.

MELISSA

Are you out of your mind?

JUNIOR

No, I’m quite lucid.

Melissa takes her hands to her hips. She is exasperated.

MELISSA

I don’t understand why you kissed me in front of everybody and then spat it out to everyone who could hear.

JUNIOR

Well, I think it was about time for everybody to know.

SOUND - Phone ringing.

JUNIOR (CONT'D)

It’s mine.

MELISSA

Don’t you dare!

Melissa seems really mad. Junior sees who is it.

JUNIOR

It’s from work.

MELISSA

J!

Junior picks up the phone.

JUNIOR

Mitchell here!

He listens. His expression hardens.

JUNIOR (CONT'D)

What?

(listens)

When?

(listens)

Okay. I’ll be right there.

Junior hangs off the phone.

JUNIOR (CONT'D)

I need to go.

MELISSA

No, you don’t.

JUNIOR

We can talk about this later and I promise I’ll explain everything, but now I need to go. There’s a serial killer downtown.

MELISSA

What?

Junior kisses her cheek quickly.

MELISSA (CONT'D)

I’m coming with you, Mr. You owe me that one.

Junior shrugs and then they both leave the kitchen.

CUT TO:

EXT. RESTAURANT ‘THE SAN FRANCISCO LOUNGE’ - DAY

VIEW AT THE ENTRANCE.

CUT TO:

INT. RESTAURANT ‘THE SAN FRANCISCO LOUNGE’ - DINING ROOM - DAY

Almost all the tables are occupied. Bianca and Chris are having lunch at one of the tables.

BIANCA

So, at least we’ll have more time to focus on this.

CHRIS

Yeah, well. We are not any closer to finding who is behind this.

BIANCA

We will, Chris.

Bianca and Chris hold hands. They smile at each other.

CHRIS

I can’t wait to have my memories back and not feel guilty to be with you.

BIANCA

Ella, right?

Chris nods.

CHRIS

She keeps calling me and insisting that we should talk. I don’t want to be rude to her, but sometimes I end being rude. I wish I could tell her the truth.

Bianca lowers her gaze. She wants to ask something, but it seems like she is unable to. Chris notices.

CHRIS (CONT'D)

What is it?

Bianca raises her gaze.

BIANCA

Do you still have feelings for her? I mean, you were supposed to love her.

Chris sighs.

CHRIS

I can’t lie to you.

(pauses)

I do. But something is pulling me back.

BIANCA

Me?

CHRIS

You.

OFF TO THE ENTRANCE - Ella comes in and glances around. She spots who she’s looking for; Chris. Ella smiles and walks towards their table.

Chris notices Ella approaching.

ELLA

I knew I would find you here.

Chris and Bianca look up at Ella.

CHRIS

El?

ELLA

You told me this morning you couldn’t meet with me because you already had lunch planned with someone, but didn’t mention with who or where, so I guessed the place.

Ella shoots a disdainful look at Bianca.

ELLA (CONT'D)

The company shouldn't be a surprise, but still it is.

CHRIS

El ---

Ella sits on the table with them. Chris and Bianca exchange glances.

BIANCA

I think I should better go.

CHRIS

No.

ELLA

Yes.

Ella smiles at Bianca.

ELLA (CONT'D)

My husband and I need to talk.

CHRIS

We will, El. We have a lot to talk about.

ELLA

Yes. For example, when will you understand that I’m your wife and you need to get back home?

CHRIS

(mad)

I won't ---

Chris cuts himself off as Bianca shoots him a look.

CHRIS (CONT'D)

We don’t choose who we love, El. We were happy together, but it’s over.

ELLA

I cannot accept that. We’ve been together for years.

CHRIS

I know, but ---

Chris sighs. He looks at Bianca and then at Ella.

CHRIS (CONT'D)

There’re somethings you don’t know.

ELLA

Then explain to me.

CHRIS

I can’t. Not yet.

ELLA

Then, no, Chris. I’m not giving up on you.

Ella stands.

ELLA (CONT'D)

Give me a good reason, Chris, I know you still have feelings for me.

Ella turns around and leaves the place. Chris and Bianca look at each other.

BIANCA

She’s not wrong. Not entirely.

CHRIS

I know.

BIANCA

Wouldn’t it be better if we tell her the truth?

CHRIS

Tell her that the life she thinks she has is a lie?

Bianca lowers her gaze.

CHRIS (CONT'D)

If it was hard for me to believe it, imagine for her.

Bianca looks at him.

BIANCA

But she must know that you didn’t stop loving her because that love never truly existed.

Chris sighs. They stare at each other seriously.

CUT TO:

INT. ALL MYTHIC’S SAN FRANCISCO - DAY

The employee is inside the counter. A customer walks out of the shop and almost runs into Ella who comes in mad.

ELLA

I won’t let that witch take what’s mine.

The employee, a young girl (CASEY, 20) with brown hair, looks at her.

CASEY

Are you okay?

Ella turns to her.

ELLA

Do you know any spell that can bring my husband back to me?

Casey’s eyes widen.

CASEY

Well, I’m not a witch for real, but I’ve read that those spells don’t work properly or at all.

Ella stares at her.

ELLA

(disguising)

Of course, they don’t. Spells! Magic is not actually real, right?

Casey looks seriously at her.

CASEY

I think it is. If you don’t believe it, why did you open an exoteric shop?

ELLA

Well, I ---

Ella is speechless.

ELLA (CONT'D)

I do believe in magic, of course.

CASEY

Don’t worry, Ella. Your secret is safe with me.

ELLA

What secret?

CASEY

That you are into the Wiccan crafts just like me.

Casey comes out of the counter and approaches Ella.

CASEY (CONT'D)

I’m studying some books. If you want me, I can give you the names.

ELLA

Thank you, Casey. I have plenty of books in here.

(pauses)

Go to lunch. I’ll handle things here.

Casey walks inside the counter. She takes her bag and leaves the shop. Ella forces a smile.

ELLA (CONT'D)

Next time I need to hire a real witch.

OFF TO THE ENTRANCE - Todd comes in.

Ella looks at him.

ELLA (CONT'D)

Oh, hi. Can I help you?

Todd stares seriously at her. He says nothing. Ella finds it weird.

ELLA (CONT'D)

Are you looking for something?

Todd takes her hand to the back of his pants and then points a gun to Ella. She raises her hands. She’s astonished.

ELLA (CONT'D)

What the hell?!

Kegral FADES in behind Todd. Ella’s eyes widen. She swallows.

KEGRAL

This one has more than life essence inside of her.

ELLA

Of course, a demon. Are you guys using guns now?

Kegral smiles. Ella lowers her hands.

KEGRAL

You’re bolt.

ELLA

I’ve met some others like you.

Kegral leans over Todd and whispers.

KEGRAL

Shot.

Todd fires the gun. Ella raises her hands again and the bullet stops right in front of her.

Kegral smiles.

KEGRAL (CONT'D)

A witch. With active powers.

Kegral WAVES his right hand and creates an ENERGY BALL. He throws it against Ella right away. Ella deviates from it but gets hit on the shoulder. She screams out loud. She falls on the floor.

KEGRAL (CONT'D)

(mad)

Shot her!

Todd walks towards her and stands before her. Ella looks up at him from the floor.

ELLA

(out loud)

Chris!

She calls Chris’ name out loud.

CUT TO:

INT. RESTAURANT ‘THE SAN FRANCISCO LOUNGE’ - DINING ROOM - DAY

Chris and Bianca are still there. Chris is paying the bill.

CHRIS

(to Bianca)

Let’s go.

SOUND - Ella’s voice in Chris’ head.

ELLA (O.S.)

Chris!

Chris looks at Bianca.

CHRIS

Ella’s in trouble.

BIANCA

What?

CHRIS

We need to go.

They stand quickly and walk out of the restaurant quickly.

CUT TO:

INT. ALL MYTHIC’S SAN FRANCISCO - DAY

Ella is still on the floor. Todd stares at her with the gun pointed at Ella. Kegral stands behind.

KEGRAL

Shot her, I said.

TODD

Isn’t it enough to hurt her?

Todd turns to Kegral.

KEGRAL

Shot her now.

Todd turns to Ella.

SLOW MOTION - Todd fires the gun. Chris ORBS in with Bianca and looks at the scene. He WAVES his right hand.

ON BULLET - It changes direction and points to Todd. The bullet follows his way towards Todd’s leg.

SOUND - Loud scream.

Todd falls on the floor. His leg is bleeding. Kegral turns around and looks at them.

KEGRAL (CONT'D)

Witches!

Kegral WAVES his hands and creates two ENERGY BALLS and is about to throw it to them, but Bianca SHIMMERS out and SHIMMERS back in behind Kegral.

She reaches into his back. The ENERGY BALLS fade out. Kegral screams out loud. Kegral turns around and slaps Bianca. She falls on the floor. Then Kegral FADES off.

Ella looks at them.

ELLA

Thanks.

They all exchange glances.

CUT TO:

EXT. SAN FRANCISCO - DAY

AERIAL VIEW ALL OVER THE TOWN.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - DR. MORETI’S OFFICE - DAY

Prue is lying on a bed. Dr. Moreti is making an ultrasound.

ON THE SCREEN - It can be seen the image from the inside of Prue uterus.

SOUND - Two heartbeats.

Prue smiles big. Nate is holding Prue’s hand.

DR. MORETI

Yes, it appears that there’re two babies.

NATE

(to Prue)

You were right.

Dr. Moreti looks at Prue.

DR. MORETI

You knew! But how?

Prue nods.

DR. MORETI (CONT'D)

How?

PRUE

I ---

Prue tries to remember how she knew it was two babies.

PRUE (CONT'D)

I don’t know. I guess it was a feeling.

DR. MORETI

Well, your feeling was right. Twins.

Prue and Nate smile at each other. Then Prue looks at the screen.

DR. MORETI (CONT'D)

I can’t tell yet if they are fraternal twins or identical twins. But next time we will.

PRUE

Fraternal.

Dr. Moreti and Nate look at Prue.

DR. MORETI

Another feeling?

Prue gets serious.

PRUE

I guess so.

Dr. Moreti looks at Nate.

DR. MORETI

You’ve got a good mother to your children, Mr. Halliwell.

Nate smiles. Prue stares seriously at the screen. After a few seconds, she half-smiles.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - OUTSIDE DR. MORETI’S OFFICE - DAY (MOMENTS LATER)

Nate comes out of the office followed by Prue. They come hands in hands and seem happy.

Once outside, Nate turns to Prue and holds her by her waist.

NATE

(smiles big)

I am so happy.

PRUE

(smiles)

Me too.

Nate kisses her and she corresponds the kiss.

OFF TO WYATT AND JESSICA - They come down the corridor towards Dr. Moreti’s office. They spot Nate and Prue right away.

Jessica smiles as she sees them kissing. Wyatt, on the other hand, is serious.

JESSICA

Well, well, well. Love’s in the air.

Nate and Prue pull back and look at Wyatt and Jessica.

NATE

Hey!

JESSICA

(smiles big)

Hey, you two.

Prue rolls her eyes.

JESSICA (CONT'D)

I guess our fates are tight together.

PRUE

You wish.

JESSICA

Actually, I don’t.

Nate and Wyatt exchange glances. Both men are serious.

NATE

What are you guys doing here?

WYATT

Same thing you are.

JESSICA

We came to our first appointment.

PRUE

Good luck with that.

Wyatt looks at Prue who ignores him completely. She holds Nate’s hand.

NATE

The doctor confirmed that we are expecting twins.

Jessica gets serious.

JESSICA

Twins? Really?

Nate nods.

JESSICA (CONT'D)

Interesting.

PRUE

(rude)

I can’t see why it would be interesting to you.

JESSICA

You’re right. It wouldn’t. It isn’t.

PRUE

(to Nate)

We should better go, honey. I got sick suddenly.

WYATT

(worried)

Are you okay?

Prue looks at Wyatt.

PRUE

Not that you care about it, but I’ve been vomiting a lot lately.

NATE

They say that each pregnancy it’s different. Andrew gave no problems.

PRUE

Indeed. Let’s go.

Nate nods.

NATE

Good luck in there, guys.

Jessica smiles. Nate and Prue walk past them. Jessica turns around.

JESSICA

Good luck to you too.

Nate looks at Jessica over his shoulder and smiles at her. Prue ignores her. Nate and Prue leave.

WYATT

Let’s go in.

Jessica nods.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STILL.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

ON ELLA’S WOUND - Someone is healing her.

Ella is sitting on the couch while Chris, sitting beside her, heals her. The Book of Shadows is closed beside her.

Ella looks at Chris and smiles at him.

ELLA

I’m so happy I’m married to a Whitelighter.

Chris shoots her a look and then looks back at the wound. He says nothing.

ELLA (CONT'D)

I’m not gonna hide my feelings for you, Chris.

ON THE WOUND - It’s healed.

CHRIS

Finished.

Chris stands and takes the Book of Shadows.

CHRIS (CONT'D)

Let’s find this demon.

ELLA

Allow me.

She reaches out her hands to take the book. He hands it to her. She starts flipping through the pages.

OFF TO BIANCA - She SHIMMERS in followed by Junior who ORBS in.

Chris turns to them. Bianca glances from Ella to Chris.

BIANCA

Is she okay?

ELLA

I don’t need you to worry about me.

Chris rolls his eyes.

CHRIS

She’s fine. How was there?

JUNIOR

Well, the man is Todd Smith. He went out of prison two months ago. The bullet was sent to ballistic, but it will certainly match the ones used on the other assaults.

CHRIS

How many were they?

Junior and Bianca exchange glances.

JUNIOR

Today, five.

CHRIS

Today?

Junior nods.

JUNIOR

He has been doing the same in other states.

ELLA

But he was using a demon.

JUNIOR

Yeah.

BIANCA

I tried to ask him how he knew the demon, but he said nothing.

JUNIOR

And he won’t. He would be crazy to mention that a demon is helping him.

Chris turns to Ella.

CHRIS

Have you found him?

ELLA

No, honey.

Chris and Bianca exchange glances.

BIANCA

Well, one thing for sure. He was after something from the victims.

ELLA

(sarcastic)

Wow, Bianca, you are so smart.

Ella stands.

ELLA (CONT'D)

Of course, he was looking for something.

CHRIS

El, don’t be rude.

ELLA

What is she doing here, Chris? I don’t need her help.

CHRIS

(mad)

She saved your life!

Chris and Ella stare at each other.

CHRIS (CONT'D)

Damn, Ella, what happened to you? You used to be sweeter and kinder.

Ella swallows.

ELLA

She ---

Ella looks at Bianca.

BIANCA

I just want to help. I’m coming with Junior.

JUNIOR

We’ll try to make Todd talk. You better try to find the demon.

Chris nods. Junior ORBS out. Bianca and Chris look at each other. Then Bianca SHIMMERS out.

Chris turns to Ella.

ELLA

She took you from me.

CHRIS

This is much more than that.

ELLA

What do you mean?

Chris signs.

CHRIS

The only thing I can tell you is that we don’t belong to each other. Not now.

(lowers his gaze)

Maybe ---

Chris looks at Ella.

CHRIS (CONT'D)

Maybe it wasn’t the right time for us.

Ella lowers her gaze.

ELLA

I should better try to find the demon.ELLA

Ella sits back on the couch and flips through the book’s pages. Chris stares at her.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. MAGIC SCHOOL - LIBRARY - DAY

ON MICHAELA - She’s asleep.

FLASHES TO:

INT. CAMPUS BAR - NIGHT - (VISION DREAM)

This bar is huge with several tables. A few workers are serving, most of them are students. Custumers, also students, are there having fun.

Wyatt is at one of the tables alone. He is having a beer. It looks like he is waiting for someone.

OFF TO ONE OF THE WAITRESSES - She approaches Wyatt’s table.

JESSICA (O.S.)

Need some company?

Wyatt raises up his gaze and meets Jessica’s.

WYATT

Jessica, hey!

JESSICA

Hy, Wyatt. Alone?

WYATT

Yeah.

OFF TO MICHAELA - She stands in the middle of the place. She glances around and then looks at Wyatt and Jessica.

JESSICA

Where’s ---

(stutters)

What’s your girlfriend’s name?

WYATT

Melissa.

JESSICA

Melissa, right! I haven’t seen the two of you together on campus lately.

WYATT

Well, we’ve been a little apart, lately.

JESSICA

It’s a shame.

Jessica sits across from him.

JESSICA (CONT'D)

If I was your girlfriend, I wouldn’t let you alone. There’re lots of girls out there who would kill to be with you.

WYATT

Kill is a hard word.

Jessica smiles.

JESSICA

Do you want another beer or do you want some company?

Wyatt looks at his wristwatch.

WYATT

Well, I was waiting for my cousin, but it seems like she’s not coming anymore.

JESSICA

Well, I bet I can be a better company than that cousin of yours.

Wyatt and Jessica smile at each other.

OFF TO THE ENTRANCE - A younger Prue comes in wearing a short black dress with a leather jacket. Her hair is tied up in a ponytail. She comes in smiling.

Some people are celebrating someone’s birthday.

GIRL

The 27th of September, 2027, will be remembered as my best birthday party!

The others cheer.

Michaela turns around and sees Prue as Prue stops as she sees Wyatt and Jessica together. Then Prue turns to leave.

Suddenly, the whole scene FADES in front of Michaela as it’s replaced for another.

FLASHES TO:

INT. CAMPUS CLUB - NIGHT - (VISION DREAM)

The scene looks the same. Michaela stands in the middle of the room and glances around. It all seems the same.

She sees as Jessica walks towards Wyatt’s table, but stops. She seems like she has no courage to approach. Wyatt glances at his wristwatch.

Michaela turns around and BEAT.

Prue comes in wearing a short black dress and a leather jacket. Her hair is tied up in a ponytail. She smiles as she sees Wyatt. Prue walks towards Wyatt.

PRUE

Sorry, I’m late.

Wyatt looks up at Prue and smiles.

Michaela looks at Jessica who gets serious and turns around. Michaela looks at Wyatt and Prue. Wyatt stands.

WYATT

You are never late, little cousin.

Prue smiles.

GIRL

The 27th of September, 2027, will be remembered as my best birthday party!

The group of people cheer up.

FLASHES TO:

INT. MAGIC SCHOOL - LIBRARY - DAY

ON MICHAELA - Her eyes widen.

Melinda and Alex seem bored sitting on the couch before Michaela’s. They jump as she wakes up.

MICHAELA

Wow!

They approach her.

ALEX

What did you see?

Michaela looks at them.

MICHAELA

2027.

Michaela breaths fast.

MICHAELA (CONT'D)

Wyatt and his girlfriend, hum ---

MELINDA

Melissa?

Michaela nods.

MICHAELA

They weren’t okay.

MELINDA

They were on and off. Actually, they broke up for real before Christmas. I remember because that was his first Christmas as a single man since he started dating.

(pauses)

Did you have two visions?

MICHAELA

Just like before. In the one I believe it’s fake, Jessica worked there and she approached Wyatt. Prue came and she saw them. As she did, she left.

(pauses)

In the other vision, Jessica didn’t dare to talk to him and when Prue came in, she approached Wyatt and both were happy to see each other.

ALEX

In conclusion, Wyatt never spoke to Jessica on that night?

Michaela shakes her head. Melinda stands and paces the place. Something comes to her mind.

MELINDA

I remember that Melissa and Wyatt broke up. Melissa accused Jessica of hitting on Wyatt, but Wyatt never had something with Jess while dating Melissa.

Michaela and Alex stand as well.

MICHAELA

Well, in the second vision, she seemed without courage, while in the first she even sat at his table without being invited.

MELINDA

I remember Melissa mentioning that he wouldn’t be alone for too long once there was someone on campus that had her eyes on him.

MICHAELA

Was she okay with it?

MELINDA

Melissa and Wyatt were not the typical couple. They were never too attached. They had chemistry, but we all knew it was not the relationship that would end up in marriage. So, yes, she was okay when he showed up with Jessica. Then when both finished college, Melissa got a job outside San Francisco and returned like four years after. Wyatt was still with Jess.

MICHAELA

And Prue?

MELINDA

Well, ---

Melinda thinks for a while.

MELINDA (CONT'D)

Prue ---

Melinda turns to them.

MELINDA (CONT'D)

She was dating Eric back in 2027.

ALEX

And she went to meet Wyatt?

MELINDA

They used to be friends back then. I mean, not friendly friends, but they were more civilized to each other.

MICHAELA

What changed?

Melinda sighs.

MELINDA

Jessica. They were not fond of each other. And P3. That was the breaking point between the two of them.

Melinda sits and motions them to sit. They do.

MELINDA (CONT'D)

Prue wanted to buy P3. The owner was asking too much money for it, so Wyatt made a deal with the owner. He lowered the price and still Wyatt paid half of it. The owner
agreed to say nothing to Prue. She found out eventually and got really furious.

(sighs)

No one knew, only mum and Aunt Phoebe. Even Jessica went mad. Jessica and Prue were rivals from the start. We never understood why they didn’t like each other. Know I know why.

MICHAELA

I want to go there. To that moment.

MELINDA

But you already saw that things started changing before.

ALEX

Yes, what would be the point?

MICHAELA

You’re right.

MELINDA

I think is enough for today. We don’t know what can do to you to get into those visions.

Michaela stands.

MICHAELA

I’m fine.

MELINDA

Still.

Melinda stands.

MELINDA (CONT'D)

Go and have some rest.

MICHAELA

But ---

MELINDA

It’s an order.

Michaela gets mad. She turns around and leaves walking fast.

Alex turns to Melinda.

ALEX

I’ll talk to her.

MELINDA

Thank you, Alex. I’m gonna be at Halliwell’s. I still need to work.

Alex nods. Then, he walks out of there. Melinda takes her hands towards her hips and exhales.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - DR. MORETI’S OFFICE - DAY

Jessica is lying in the bed as Dr. Moreti scans her belly. Wyatt and Jessica look at the screen and there it is. Still the size of a peanut, a fetus.

Jessica smiles as she looks at Wyatt.

DR. MORETI

Nine weeks.

Dr. Moreti glances at them.

DR. MORETI (CONT'D)

Funny, the lady that was here before, was also nine weeks pregnant.

Wyatt is serious.

WYATT

My cousin.

Dr. Moreti looks at Wyatt.

DR. MORETI

Halliwell. Right.

WYATT

Why her belly is showing and Jessica isn’t?

ON JESSICA - She is serious.

DR. MORETI

Well, some women start showing earlier than others. Besides, Mrs. Halliwell is expecting twins. The other Mr. Halliwell, I mean, your cousin.

WYATT

Jessica is not a Halliwell.

Jessica shoots Wyatt a look.

JESSICA

Not by name.

DR. MORETI

Well, this baby seems healthy.

(glances at them)

Congratulations.

Jessica holds Wyatt’s hand and smiles.

JESSICA

Are you happy, love?

Wyatt forces a smile, then he lowers his gaze.

CUT TO:

INT. CHOCOLATE SHOP - DAY

Two people are there; a man (Igor, 35) and a woman (Julia, 27). Igor is behind the counter putting some cakes into a box. Julia approaches him.

IGOR

I’ll go now. This has to be delivered to the Masons. Their daughter is making fifteen today.

JULIA

I’ll handle the shop, honey.

Igor smiles and kisses his wife, softly.

IGOR

I promise you tonight we’ll take care of making a baby.

Julia smiles. Igor takes off the apron and takes some boxes in his arms. He leaves the shop. Once he’s out, Julia turns around and has a sip of his hot chocolate.

OFF TO KEGRAL - He FADES in behind Julia. They are separated by the counter.

Julia turns around and jumps as she sees Kegral. She drops the cup which breaks on the floor.

JULIA

Sorry, I ---

She glances at him from up to down. Kegral is wearing a long red tunic.

JULIA

Can I help you?

KEGRAL

Yes. I need your life essence.

Kegral WAVES his hand and creates an ENERGY BALL. He throws it against Julia who lowers down and is not hit by it. She raises again and looks at him.

JULIA

A demon!

Julia doesn’t think twice and runs out into the shop. Kegral screams mad. He is about to FADE out, but he feels a pain in his back. He lowers down his tunic and ---

BEAT - There’s a large wound on his back.

KEGRAL

Damn Phoenix Witch!

Kegral FADES out.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

Loreto is bringing some boxes from the storeroom. Jo is by the counter and she seems thoughtful as she stares at nothing. Loreto walks towards the counter and puts the box on it.

LORETO

Here’s what you asked.

Jo looks at her.

JO

Oh, thanks, Loreto.

Loreto smiles.

LORETO

Something going on?

Jo takes the box and starts taking the bottle out of it and putting them in their place.

JO

No, why do you ask?

LORETO

Well, you seem off.

Jo half-smiles.

JO

I’ve just got some things in my mind.

LORETO

Oh, I know. Boyfriend issues.

Jo laughs.

JO

That too. Well, not an issue. We haven’t seen each other in a while.

(gets serious)

Actually, I don’t know if I’m gonna see him again.

LORETO

Bad break up, huh?!

JO

Not actually. It’s complicated.

Loreto rests her hands on the counter as she stares seriously at Jo.

LORETO

You know, somethings are not really meant to be. Maybe ---

JO

No.

Jo shakes her head sure that Loreto is wrong.

JO (CONT'D)

We are meant to be. I just have to put everything in place.

LORETO

Sometimes is better if we accept things as they are supposed to be and let them go.

Jo shoots Loreto a look.

JO

I don’t give in what I believe, Loreto. Now, let’s get back to work. The band must be almost here.

Loreto nods and walks away. Jo takes a deep breath.

JO (CONT'D)

I need to find out what’s happening to mum. She seems weird lately and I don’t like it.

OFF TO THE DOOR TO THE STOREROOM - Loreto is staring at Jo seriously. Then she enters.

CUT TO:

EXT. SAN FRANCISCO - DAY / EVENING

The sun gets covered by clouds and the light of the day starts disappearing. Some lights lit on the city.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - EVENING

Chris is by a window on the phone. He speaks in a whisper and his conversation is not heard by Ella who’s by the pedestal and the Book of Shadows.

CHRIS

(whispers; on the phone)

No, you did well.

(pauses)

Yeah. Enough for today. But that’s a piece of very important information.

(listens)

See ya later, Mel.

Chris hangs off the phone. Ella turns to him.

ELLA

You never hid anything from me, Chris.

Chris walks towards her.

CHRIS

It’s nothing.

ELLA

It’s the thing you can’t explain, right?

Chris lowers his gaze.

ELLA (CONT'D)

You used to trust me.

CHRIS

(looks at her)

I do trust you, El. But you wouldn’t understand.

Ella is serious.

CHRIS (CONT'D)

Found anything?

Ella nods.

ELLA

Kegral is his name.

Ella points to the Book of Shadows.

ELLA (CONT'D)

He takes the life essence from people.

CHRIS

So, it was just a coincidence he entered your shop?

Ella nods. Chris has a look at the page of the Book of Shadows.

CHRIS (CONT'D)

Witches’ life essence is better for him.

Ella nods.

ELLA

He has an expiring date.

CHRIS

(reading from the book)

‘This demon appears once every century and has to collect at least thirteen souls every week for seven weeks so he would be able to live between us normally’.

(looks at Ella)

It seems like he hasn’t archived that goal since he stills has to collect life essence from others.

OFF TO JUNIOR - He ORBS in followed by Bianca.

JUNIOR

Got it.

Chris and Ella look at them.

JUNIOR (CONT'D)

It wasn’t Todd who summoned the demon.

BIANCA

The demon appeared to him and wanted to make a deal with him. He would give him the chance to become a demon if Todd helped him killing people.

JUNIOR

Thirteen per week.

BIANCA

For seven weeks.

JUNIOR

They were on his fourth week.

ELLA

Fourth?

Junior and Bianca nod.

JUNIOR

Like I said, other states.

CHRIS

Well, the demon's name is Kegral.

ELLA

Yeah, it says here that he hasn’t achieved his goal because he has been stopped every time. There’s also a spell here.

CHRIS

We need to re-do that spell.

ELLA

Why?

CHRIS

We don’t want him to come back in the next century.

BIANCA

He must be weaker. I think we have a chance to find him.

ELLA

(rude)

Why would you think that?

Chris shoots Ella a look. She ignores him.

BIANCA

Because I’ve got to strip him of his powers for a little bit.

ELLA

You mean he is powerless now.

BIANCA

No, he still has powers, but I’ve left a wound on him.

CHRIS

Let’s find him.

BIANCA

I can do that.

ELLA

I also can do that.

Ella gets to the table and takes the Crystal.

BIANCA

I think it’ll work better if I do it.

Now Bianca sounds hard.

ELLA

(daring)

Yeah? And why’s that?

BIANCA

As I said, I used my powers on him.

Both Bianca and Ella stare at each other seriously.

CHRIS

El?

Ella looks at Chris. She sighs.

ELLA

Fine.

Ella hands Bianca the Crystal. Bianca starts SCRYING as Ella stares at her. Junior approaches Chris.

JUNIOR

Complicated, huh?!

Chris glances at Junior and nods.

CUT TO:

INT. JARED’S APARTMENT - LIVING ROOM - EVENING

Jared is pacing the room. Jessica is just sitting on the sofa telling him how it went with the doctor.

JESSICA

It was actually good that it wasn’t Dr. Dubois. She is a witch as we both remember and could be harder to spell her.

(pauses)

Now Wyatt believes I’m truly pregnant.

(smiles)

I just need the baby.

Jessica stares at Jared. She frowns.

JESSICA (CONT'D)

Are you listening to me?

Jared turns to her. He seems mad.

JARED

Unfortunately, I am.

JESSICA

Rude.

JARED

Look, Jessica, we had a deal. I give you the life you wanted and you give an heir with Warren Blood. The only thing I want to hear from you is that you are pregnant.

Jessica stands.

JESSICA

It would be easy if ---

JARED

(cuts her off)

If you had sex with your husband.

Jessica looks aside.

JARED (CONT'D)

(really mad)

Go there. What are you doing here with me? Go and find your husband and do what you must.

Jessica rolls her eyes. She SHIMMERS out. Jared exhales.

JARED (CONT'D)

I have a bad feeling.

He walks out of the room.

CUT TO:

INT. JARED’S APARTMENT - ROOM - EVENING

The room is dark. Some candles lit the center of the room where the Water Pit stands.

Jared comes in and walks towards the Water Pit. He WAVES his hands over it and some images appear. In the water, it can be seen Michaela on her bed. She’s having troubling dreams.

JARED

What is this girl doing in here?!

Jared looks up.

JARED (CONT'D)

The Firestarter. She has visions.

Jared looks at the images.

JARED (CONT'D)

Damn it. I need to do something.

ON THE IMAGES - Michaela seems to be sweating cold.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. MAGIC SCHOOL - MICHAELA’S BEDROOM - EVENING

Michaela, wearing normal clothes, is taking a nap. She’s having troubling dreams and sweating cold.

ON MICHAELA’S FACE - It shakes.

FLASHES TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT - (VISION DREAM)

Wyatt and Jessica are on the couch watching a movie on the tv.

Michaela appears behind them. She stares at them.

Wyatt takes his phone. He’s got a text. He checks it out.

ON WYATT’S PHONE - Text. IT READS:

From Prue.

Are you really sure you don’t want to join us at P3? All Mighty Wyatt Halliwell is being missed.

Wyatt smiles while Michaela peeks over the phone.

MICHAELA

September 1st, 2030.

JESSICA

(to Wyatt)

Who is it?

Wyatt puts the phone aside.

WYATT

(lying)

No one.

JESSICA

Do you regret being here with me instead of at that stupid party your cousin came up with?

Jessica looks at him seriously.

WYATT

Of course not.

Jessica smiles. She leans her head on his shoulder. Wyatt gets serious.

Then the whole image starts fading from Michaela’s view and it’s replaced by another.

FLASHES TO:

INT. UNDERWORLD - CORONATION CAVE - NIGHT - (VISION DREAM)

Wyatt, Chris, Junior, Pandora, Cassandra, and Charlotte are inside Leah's cage They are chanting a spell. White lights appear in the center of the cage. Some demons are coming into the cave.

Michaela appears outside the cage and glances around.

PANDORA

(excited)

It worked!

Prue, Malinda, and Tamora appear.

WYATT

It really worked!

MELINDA

(hugging Chris)

How did we get here?

WYATT

We call for a lost witch.

PRUE

That was exactly what we needed.

WYATT

(surprised)

Really?

PRUE

Yeah. We needed you to call us here. We have a plan.

TAMORA

We felt something pulling us and...

MELINDA

... Here we are!

CHRIS

So, do you guys have a plan to get us out of here?

MELINDA

Oh yeah, bro!

JUNIOR

What is that plan about?

CHARLOTTE

Who cares?! It´s a plan.

CASSANDRA

Agree.

WYATT

How does that plan work?

MELINDA

We need to use our powers.

PANDORA

We can´t. Our powers inside this...

(points to the cage)

...rebounds.

WYATT

Yeah. So, I think your plan won´t work.

PRUE

(to Wyatt)

You don´t even know what is our plan about.

WYATT

(to Prue)

And I already know it won´t work. We can´t use our powers in here.

PRUE

(smiling)

We´ll see.

WYATT

Prue...

Wyatt doesn´t finish his phrase. He is cut off by some movement in the cave.

Michaela turns around to see what’s going on, but then ---

A GREEN HOVERING FACE SURROUNDS HER. She hears a scary voice.

VOICE

Leave!

Michaela glances around and starts getting nervous.

VOICE (CONT'D)

Leave now. This is not place for you.

The images start disappearing before her eyes. The Hovering Face surrounds her. She screams out loud. And ---

CUT TO:

INT. MAGIC SCHOOL - MICHAELA’S BEDROOM - EVENING

Michaela wakes up abruptly. She breaths fast.

OFF TO THE DOOR - Alex comes in a rush.

ALEX

Hey, are you okay?

Michaela breaths fast. She looks at him.

MICHAELA

I was dreaming.

Alex stares at her.

MICHAELA (CONT'D)

Someone took me out of my dream. Someone who didn’t want me to see what I was about to see.

Both of them stare at each other. Michaela seems worried.

CUT TO:

INT. CHOCOLATE SHOP - EVENING

Julia and Igor come in. They glance around. Igor turns to Julia.

IGOR

No one’s here.

JULIA

I swear. It was a demon.

IGOR

We don’t mess with demons, Julia.

JULIA

But somehow, he got to us.

They get into the shop hand-in-hand.

OFF TO KEGRAL - He FADES in behind them. He seems weaker.

KEGRAL

A witch.

Igor and Julia turn around.

JULIA

There he is.

KEGRAL

I need the life essence from a witch.

Kegral WAVES his hand and creates an ENERGY BALL.

IGOR

Get off here, Julia.

JULIA

I’m not leaving you alone.

KEGRAL

Let her stay. I could use both.

Igor takes Julia behind him. Kegral gets ready to throw the ENERGY BALL. Igor makes eye contact with Kegral and reaches out his arms which emit BEAMS of ENERGY, the power is called ENERGY BEAM EMISSION.

The BEAMS of ENERGY are strong enough to hit Kegral and send him flying through the air and hitting some tables. He falls on the floor.

OFF TO CHRIS - He ORBS in bringing Ella, Bianca SHIMMERS in, and Junior ORBS in. They glance around.

Igor and Julia look at them astonished.

IGOR

Who the hell are you?

Igor gets ready to attack again, but Chris reaches out his hands trying to stop him.

CHRIS

We are friends.

Chris turns to the others.

CHRIS (CONT'D)

Let’s send him to the afterlife once and for all.

BIANCA

Let me finish what I’ve started.

Kegral gets up and is not surprised as Bianca approaches in and reaches into his chest. He screams in pain. The others look at it.

Bianca pulls back her hand and turns to the others.

CHRIS / JUNIOR / ELLA

(chanting)

‘Invoking the Powers above,

We, spirits of light,

Send you to an eternal darkness.

From now until the sun shines no more,

Your spirit won’t be anymore'.

KEGRAL

What are you doing?!

Bianca steps back as some wind surrounds Kegral. He starts vanishing as if he was made of sand. Soon, there’s no more Kegral.

Bianca turns to the others. Igor and Julia approach them.

IGOR

Who are you?

Chris turns to them.

CHRIS

Part of the Destined Ones and company.

Junior smiles at Ella and Bianca as they smile as well. Igor and Julia exchange glances.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL VIEW all over the town at the sound of ‘Shook Me All Night Long’ played by Notorious.

CUT TO:

EXT. P3 - NIGHT

MUSIC KEEPS PLAYING.

People are entering the club.

CUT TO:

INT. P3 - DANCIN FLOOR / BAR - NIGHT

The club is crowded. The band Notorious is playing and is making a huge success. People are enjoying the show.

Jo and Loreto are behind the counter. They also enjoy the show.

JO

And they came to audition. They don't need auditions.

LORETO

I think I never had this much fun.

Jo shoots her a look.

JO

Really?

Both girls smile.

Prue and Nate approach the bar.

PRUE

Hey!

JO

Hey! What are you guys doing here?

PRUE

What’s going on here?

JO

The Notorious. They agreed to play tonight.

PRUE

It wasn’t the deal.

JO

But ---

LORETO

When Jo called them to book the night of the show, they said they could play tonight.

PRUE

(serious)

That was not the deal.

NATE

Honey, they are rocking.

Prue looks at Nate then she turns to Jo.

PRUE

My office. Now.

Prue turns around and leaves. Jo and Loreto exchange glances. Nate watches as Prue walks away.

CUT TO:

INT. P3 - PRUE’S OFFICE - NIGHT

THE MUSIC THAT COMES FROM THE BACK IS HEARD IN THE BACKGROUND.

ON DRINK - It’s a non-alcoholic cocktail. Someone is pouring something into it.

BEAT - Jared is pouring the last drops of potion inside the drink.

SOUND - Someone approaching.

Jared glances to the door and FADES out just in time. Prue comes in followed by Jo who closes the door behind her. Prue turns to Jo. She’s mad.

JO

Can you explain to me what the hell is going on?

PRUE

Local bands were supposed to play next week.

JO

And they will. Why the hell do you care? We have more important issues to deal with.

PRUE

More important issues? This is my club, girl. I dictate the rules here.

Jo is astonished.

JO

Why are you talking to me like that? What’s going on?

PRUE

I don’t like to be stepped over.

JO

I didn’t ---

PRUE

(cuts her off)

You’re fired.

JO

What?

Jo is astonished. She can’t understand her mother’s attitude.

JO (CONT'D)

Mu ---

PRUE

Leave. I made a mistake allowing you to work here.

JO

But I’m ---

PRUE

(rude)

Leave.

Jo is truly astonished. Prue turns around. Jo is unable to speak. She turns around and leaves.

PRUE (CONT'D)

Why in the world would I ever hire someone as insolent as that girl.

Jared ASTRAL PROJECTS himself in invisible mode behind Prue and uses SUGGESTION on her.

JARED

That annoying girl.

Prue sighs.

JARED (CONT'D)

Calm down. It’s not good for the babies.

Prue takes her hands to her belly.

JARED (CONT'D)

Have a sip of the drink someone prepared for you. It’s your favorite.

Prue looks down to the desk and sees the drink there.

PRUE

What’s this?! They know I can’t drink alcohol.

JARED

It’s not alcoholic. Your employees know you’re pregnant.

Prue smiles.

PRUE

It might be non-alcoholic.

JARED

That’s correct. Drink it.

Prue starts drinking the drink. Jared smiles.

JARED (CONT'D)

To the end.

Jared smiles big as Prue finishes the drink.

JARED (CONT'D)

’From now on, forget what was.

What is now, it’s your reality'.

Prue lands the glass on the desk.

OFF TO THE DOOR - Nate comes in.

NATE

Honey?

Prue turns to Nate.

NATE (CONT'D)

Are you okay?

Prue smiles big.

PRUE

Better than ever.

Prue walks towards Nate and kisses him passionately. Nate kisses her back.

Jared smiles as he stares at them.

CUT TO:

EXT. CUPID’S TEMPLE - NIGHT

VIEW AT THE TEMPLE which is hovering over the Mediterranean coast.

CUT TO:

INT. CUPID’S TEMPLE - CUPID’S ROOM - NIGHT

ON CUPID’S BOW - It is there in his rightful place. It shines.

OFF TO ALYSSA - She comes in and closes the door behind her.

Alyssa glances around.

CUPID (O.S)

What’s on your mind?

Alyssa forces a smiles.

ALYSSA

Nothing gets past you, huh?

CUPID (O.S)

I’m Cupid. Hearts, minds --- Nothing gets past me.

Alyssa stares at the bow.

ALYSSA

Wyatt and Prue. They are not together, Cupid. We both know they were supposed to be together.

CUPID (O.S)

In the many lives they lived, there was never a cupid working to put them together. They always found each other.

ALYSSA

But not in this life.

CUPID (O.S)

It wasn’t meant to be.

ALYSSA

You know better than me that they are meant to be.

CUPID (O.S)

What are you suggesting, Alyssa?

Alissa takes a deep breath.

ALYSSA

Remember the last time she was here? Prue. What did she say? She seemed like she had been here before. What if someone messed with it? What if somehow, something changed their paths. What if ---

(pauses)

--- there was a change of reality?

CUPID (O.S)

Alyssa, ---

SOUND - Cupid’s breath.

CUPID (O.S) (CONT'D)

You think that ---

ALYSSA

Many lives they lived and they found each other in every single one of them. Why wouldn’t they in this life? Especially this life. The more powerful lives they lived since the God’s Era.

CUPID (O.S)

If someone changed their reality I would know, I’m a God.

ALYSSA

Not precisely.

(pauses)

Not if the one who did it changed it all. Shaped the world to his or her own vision of it.

CUPID (O.S)

You think ---

ALYSSA

Reality warping.

CUPID (O.S)

That would be serious. But it would make sense. All that Prue said when she was here. Somehow, I knew she was telling the truth.

ALYSSA

I know. We must find out if something like this happened.

CUPID (O.S)

How?

Alyssa takes a deep breath.

ALYSSA

He contacted me.

(rises up her gaze)

The one who is now called Omega.

ON ALYSSA - She is serious.

CUT TO:

INT. CHOCOLATE SHOP - NIGHT

Igor and Julia are there as well as Chris, Junior, Bianca, and Ella. Igor and Julia just learned what was going on. They are sitting around a table.

IGOR

Unbelievable.

CHRIS

Yeah, well. You guys were lucky.

JULIA

I’m so glad Andy wasn’t here.

Igor turns to Julia.

IGOR

Honey, please.

Julia glances at them.

JULIA

I’m sorry, I ---

(she stands)

--- I’m just tired.

Julia walks away into the shop.

IGOR

I’m sorry. My wife is a little disturbed.

ELLA

Why?

IGOR

We lost our son. He was born dead.

CHRIS

I’m so sorry to hear that.

IGOR

Thanks. Ever since, she thinks like she hears his cry. But we never heard him crying. I was there in the delivery room and he was dead.

Chris and Bianca exchange glances. Bianca stands.

BIANCA

I will check on her.

Bianca leaves.

ELLA

We are so sorry to hear that. My husband and I ---

(points to Chris)

--- We are kinda trying to get pregnant.

CHRIS

El!

ELLA

We are going through a phase now, but it’ll happen soon.

(smiles)

So, you are a witch?

Igor nods.

IGOR

We try to live our life away from it, but yes. We both are.

Chris and Junior exchange glances.

CUT TO:

INT. CHOCOLATE SHOP - LADIES’ RESTROOM - NIGHT

Julia is by the sink. She is crying hard.

OFF TO BIANCA - She comes in and closes the door behind her.

Bianca approaches Julia and comforts her.

BIANCA

Hey, what’s going on?

Julia turns to her. Tears run down her face heavily.

JULIA

It doesn’t stop. His cry doesn’t stop.

BIANCA

Calm down.

JULIA

I need my baby. They say he’s dead, but I can feel he’s alive. My baby is alive.

Bianca is astonished. She hugs Julia tightly.

ON BIANCA - She is serious.

CUT TO:

INT. UNDERWORLD - OLD CROWN’S CAVE - NIGHT

ON A SMALL BOTTLE - It has a red liquid inside.

An Old Crone is handing the small bottle to someone. BEAT. Jessica takes the bottle.

JESSICA

Will it make my belly grow?

The Old Crone smirks.

CRONE

You’d be surprised at how many witches seek this.

JESSICA

Evil witches, you mean.

CRONE

Always wishing to catch a good and powerful witch or a powerful demon.

JESSICA

Well, this will be temporary. Soon, I’ll get pregnant.

CRONE

You don’t have much time.

JESSICA

I know what I’m doing.

(smirks)

Thank you, Crown.

Jessica SHIMMERS out. The Old Crone smirks.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - NIGHT

Junior comes in and stops as she sees Tamora, Pandora, Sebastian, and Melissa there.
Junior eyes stop at Melissa.

MELISSA

I’ve got my matter. Now you’ve got some explanations to do.

SEBASTIAN

Yeah, imagine my surprise to know you’re dating my cousin.

Tamora and Pandora look at Junior.

TAMORA

Good job catching the serial killer!

Pandora shoots Tamora a look. Tamora shrugs.

CUT TO:

INT. PRUE’S CONDO - LIVING ROOM - NIGHT

ON ERIC - He seems astonished.

OFF TO CHARLOTTE - She comes from the bedroom.

CHARLOTTE

Andrew is already asleep.

Charlotte sits beside Eric and holds his hand.

CHARLOTTE (CONT'D)

Are you okay?

Eric looks at her.

ERIC

Am I supposed to be okay after all you told me?

Charlotte sighs.

ERIC (CONT'D)

What happens now?

CHARLOTTE

We find a way to fix it.

They both look at each other seriously.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - NIGHT

Wyatt is by the window. He stares at a picture in his hand.

ON PICTURE - It’s the scan of Jessica’s ultrasound.

Wyatt is thoughtful.

ON WYATT’S FACE - A tear runs down his face.

CUT TO:

EXT. HALLIWELL / COOP MANOR - PORCH - NIGHT

Cassandra and Johnathan walk upstairs. They reach the front door.

Cassandra turns to Johnathan.

CASSANDRA

Thanks for the lunch.

JOHNATHAN

(smiles)

A lunch that led to dinner at the office.

Cassandra smiles.

CASSANDRA

Well, it was a productive day after all.

JOHNATHAN

We spent most of the time talking about our hobbies.

CASSANDRA

Yeah. Like I said, productive. We realized we don’t spend much time doing things we enjoy.

JOHNATHAN

I agree with you, Miss Halliwell.

CASSANDRA

Cassandra.

(smiles)

Knowing that I like to play farm games on social media allows you to treat me by Cassandra.

JOHNATHAN

What about Cass?

CASSANDRA

Only family and friends.

JOHNATHAN

Cassandra sounds good if you stop calling me Mr. Hale.

CASSANDRA

I kinda like Mr. Hale.

Both smile at each other. Johnathan approaches her and both of them get really close to each other.

JOHNATHAN

I kinda like to hear you calling me that.

Cassandra smiles. Their faces get really close and then Johnathan is about to kisses her, but she turns her face. Then she looks at him and smiles.

CASSANDRA

See you tomorrow, Mr. Hale.

Cassandra turns around and heads into the house. Johnathan smiles.

CUT TO:

INT. MAGIC SCHOOL - LIBRARY - NIGHT

Michaela has her face buried between her hands. Alex, Melinda, and Damon are there.

MELINDA

Breathing fast?

Alex nods.

MELINDA (CONT'D)

(at Michaela)

I said that it was enough for today, Michaela.

Michaela looks at them.

MICHAELA

I was sleeping. I didn’t take the tea to provoke the sleep and dream. It just happened.

MELINDA

Are you sure?

MICHAELA

I might seem mental sometimes, but I’m not.

DAMON

Mel, let’s hear what she saw.

Melinda rolls her eyes.

MELINDA

Fine.

Michaela takes a deep breath.

MICHAELA

September 1st, 2030. The first vision was like the others. I saw Wyatt with Jessica together. He received a text from Prue who was at P3 with the others.

MELINDA

Then?

MICHAELA

Then, I saw a bunch of people inside a magical cage.

ALEX

I showed her pictures of each one of you.

MICHAELA

And I recognized you all.

(serious)

You, Prue, and the others. The Destined Ones.

MELINDA

Inside a cage?

Michaela nods.

MICHAELA

It seemed like powers couldn’t be used inside the cage.

MELINDA

That happened a few weeks ago.

MICHAELA

No. All my previous visions were on the same day. This one was on September 1st, 2030. I'm sure of it.

MELINDA

It can’t be.

MICHAELA

It’s what I saw. I just didn’t see more because a hovering green face appeared and interrupted me.

DAMON

A what?

OFF TO JO - She ORBS in.

JO

Guys?

Jo is crying. Tears run fast down her face. They look at her.

JO (CONT'D)

My mother doesn’t remember me. She forgot about me.

Jo cries hard. Melinda stands and walks towards her niece.

MELINDA

Oh, dear!

Melinda hugs Jo tightly. Damon, Alex, and Michaela look at them. Concern is written all over their faces.

CUT TO:

EXT. SAN FRANCISCO - TOP OF THE GOLDEN GATE BRIDGE - NIGHT

Alyssa BEAMS in. Right after, Omega FADES in. They look at each other.

OMEGA

You were fast.

ALYSSA

What do we have to do to make things right again?

ON OMEGA - He smiles big.

The camera moves away as it ---

FADES TO BLACK.

END OF THE EPISODE